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Carl Mueller illustrated ' (1940), Rex Stout's first Nero Wolfe novella, for First appearance (1934) Created by Information Gender Male Occupation Private detective Children Carla Lovchen Britton (adopted daughter) Nationality Citizenship by Nero Wolfe is a fictional character, a brilliant, oversize, eccentric created in 1934 by American writer. Wolfe was born in and keeps his past murky. He lives in a luxurious on West 35th Street in New York City, and he is loath to leave his home for business or anything that would keep him from reading his books, tending his orchids, or eating the gourmet meals prepared by his chef,., Wolfe's sharp-witted, dapper young confidential assistant with an eye for attractive women, narrates the cases and does the legwork for the detective genius.

Stout wrote from 1934 to 1975, with most of them set in. The stories have been adapted for film, radio, television and the stage. The Nero Wolfe corpus was nominated for Best Mystery Series of the Century at, the world's largest mystery convention, and Rex Stout was a nominee for Best Mystery Writer of the Century. Contents • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Title character [ ] I suggest beginning with autobiographical sketches from each of us, and here is mine.

I was born in and spent my early boyhood there. At the age of sixteen I decided to move around, and in fourteen years I became acquainted with most of Europe, a little of Africa, and much of Asia, in a variety of roles and activities. Coming to this country in nineteen-thirty, not penniless, I bought this house and entered into practice as a private detective. I am a naturalized American citizen.

— Nero Wolfe addressing the suspects in ' (1957) The Nero Wolfe stories take place contemporaneously with their writing and depict a changing landscape and society. The principal characters in the corpus. Nero Wolfe's age is 56 according to Rex Stout, although it is not directly stated in the stories.: 383 'Those stories have ignored time for thirty-nine years,' Stout told his authorized biographer John McAleer. 'Any reader who can't or won't do the same should skip them. I didn't age the characters because I didn't want to. That would have made it cumbersome and would seem to have centered attention on the characters rather than the stories.' : 49 Archie Goodwin, the narrator of the stories, frequently describes Wolfe as weighing 'a seventh of a ton.'

This was intended to indicate unusual obesity at the time of the first book (1934), especially through the use of the word 'ton' as the unit of measure. In 1947, Archie writes, 'He weighs between 310 and 390, and he limits his physical movements to what he regards as the irreducible essentials.' 'Wolfe's most extravagant distinction is his extreme antipathy to literal extravagance. He will not move,' wrote J. Kenneth Van Dover in At Wolfe's Door: The Nero Wolfe Novels of Rex Stout: He insists upon the point: under no circumstances will he leave his home or violate his routines in order to facilitate an investigation.

The exceptions are few and remarkable. Instead of spreading the principles of order and justice throughout his society, Wolfe imposes them dogmatically and absolutely within the walls of his house — the brownstone on West Thirty-Fifth Street — and he invites those who are troubled by an incomprehensible and threatening environment to enter the controlled economy of the house and to discover there the source of disorder in their own lives. The invitation is extended to readers as well as to clients.: 2 Perhaps Wolfe's most remarkable departure from the brownstone is due to personal reasons, not to business, and thus does not violate the rule regarding the conduct of business away from the office. That event occurs in, when he leaves, not only his home, but the shores of the United States to avenge the murder of his oldest friend.

He abandons his cherished daily habits for a time and, despite his physical bulk, engages in strenuous outdoor activity in mountain terrain. — Nero Wolfe to the black staff of Kanawha Spa in (1938), chapter 10 The corpus implies or states that Nero Wolfe was born in, with one notable exception.

In the first chapter of (1939), Wolfe tells an agent that he was born in the United States — a declaration at odds with all other references. Stout revealed the reason for the discrepancy in a 1940 letter cited by his authorized biographer John McAleer: 'In the original draft of Over My Dead Body Nero was a Montenegrin by birth, and it all fitted previous hints as to his background; but violent protests from The American Magazine, supported by Farrar & Rinehart, caused his cradle to be transported five thousand miles.'

: 403 'I got the idea of making Wolfe a Montenegrin from,' Stout said, noting that everything he knew about Montenegrins he learned from Adamic's book, The Native's Return (1934), or from Adamic himself.: 278 'Adamic describes the Montenegrin male as tall, commanding, dignified, courteous, hospitable,' McAleer wrote. 'He is reluctant to work, accustomed to isolation from women. He places women in a subordinate role.

He is a romantic idealist, apt to go in for dashing effects to express his spirited nature. He is strong in family loyalties, has great pride, is impatient of restraint. Love of freedom is his outstanding trait. He is stubborn, fearless, unsubduable, capable of great self-denial to uphold his ideals.

He is fatalistic toward death. In short, Rex had found for Wolfe a nationality that fitted him to perfection.' : 403 Wolfe is reticent about his youth, but apparently he was athletic, fit, and adventurous. Before, he spied for the 's, but had a change of heart when the war began.

He then joined the Serbian-Montenegrin army and. That means that he was likely to have been involved in the harrowing 1915 withdrawal of the defeated Serbian army, when thousands of soldiers died from disease, starvation, and sheer exhaustion — which might help to explain the comfort-loving habits that are such a conspicuous part of his character. After a time in Europe and North Africa, he came to the United States. In 1956, theorized in an article in the Baker Street Journal that Wolfe was the offspring of an affair between and (a character from '). Clark suggested that the two had an affair in Montenegro in 1892, and that Nero Wolfe was the result.

The idea was later co-opted by and implied in the novels of, but there is no evidence that Rex Stout had any such connection in mind. Certainly there is no mention of it in any of the stories, although a painting of Sherlock Holmes does hang over Archie Goodwin's desk in Nero Wolfe's office. Some commentators note both physical and psychological resemblances and suggest Sherlock's brother as a more likely father for Wolfe. Commentators have noted a coincidence in the names 'Sherlock Holmes' and 'Nero Wolfe': the same vowels appear in the same order.

In 1957, called this 'The Great O-E Theory' and suggested that it was derived from the father of mysteries,. Some theorists have suggested the French thief as the father of Nero Wolfe. They note that in one story Lupin has an affair with the queen of a Balkan principality, which may be Montenegro by another name. Further, they note that the name Lupin resembles the French word for wolf, loup. Brownstone [ ].

— Nero Wolfe in ' (1947), chapter 2 Wolfe has expensive tastes, living in a comfortable and luxurious New York City on the south side of West 35th Street. The brownstone has three floors plus a large basement with living quarters, a rooftop greenhouse also with living quarters, and a small elevator, used almost exclusively by Wolfe.

Other unique features include a timer-activated window-opening device that regulates the temperature in Wolfe's bedroom, an alarm system that sounds a gong in Archie's room if someone approaches Wolfe's bedroom door or windows, and climate-controlled plant rooms on the top floor. Wolfe is a well-known amateur grower and has 10,000 plants in the brownstone's greenhouse. He employs three live-in staff to see to his needs. The front door is equipped with a chain bolt, a bell that can be shut off as needed, and a pane of, which enables Archie to see who is on the before deciding whether to open the door.

The front room is used as a waiting area for visitors while Archie informs Wolfe of their arrival, and also as a place for Archie to hide one visitor from another. Wolfe's office becomes nearly soundproof when the doors connecting it to the front room and the hallway are closed. There is a covered by what Archie calls a 'trick picture of a waterfall.' A person in an alcove at the end of the hallway can open a sliding panel covering the hole, so as to see and hear conversations and other events in the office without being noticed.

The chair behind Wolfe's desk is custom-built, with special springs to hold his weight; according to Archie, it is the only chair that Wolfe really enjoys sitting in. Near the desk is a large chair upholstered in red leather, which is usually reserved for Inspector Cramer, a current or prospective client, or the person whom Wolfe and Archie want to question. In the short story ',' Wolfe and Archie have a hidden tape recorder and microphone installed in the office, with controls in the kitchen. In the story ',' the system is modified to transmit sound to a speaker in the front room. The brownstone has a back entrance leading to a private garden, as noted in (chapter 10) and elsewhere, from which a passage leads to 34th Street — used to enter or leave Wolfe's home when it is necessary to evade surveillance. Archie says that Fritz tries to grow herbs such as chives in the garden.

'That readers have proved endlessly fascinated with the topography of Wolfe's brownstone temple should not be surprising,' wrote J. Kenneth Van Dover in At Wolfe's Door: It is the center from which moral order emanates, and the details of its layout and its operations are signs of its stability. For forty years, Wolfe prepares menus with Fritz and pots orchids with Theodore. For forty years, Archie takes notes at his desk, the client sits in the red chair and the other principals distribute themselves in the yellow chairs, and Wolfe presides from his custom-made throne. For forty years, Inspector Cramer and Sergeant Purley Stebbins ring the doorbell, enter the office, and explode with indignation at Wolfe's intractability. The front room, the elevator, the three-foot globe — all persist in place through forty years of American history.

Like Holmes's 221B Baker Street, Wolfe's West Thirty-Fifth Street remains a fixed point in a turning world.: 3 In the course of the books, ten different street addresses are given on West 35th Street: • in, chapter 12 • in, chapter 4 • 902 in, chapter 7 • 909 in ', chapter 10 • 914 in, chapter 24 • 918 in, chapter 3 • 919 in, chapter 12 • 922 in, chapter 2 • 924 in ', chapter 9 • 938 in, chapter 4 'Curiously, the 900 block of West 35th Street would be in the Hudson River,' wrote American writer, who created a map of the literary stars' homes for in 2005. 'It's a non-address, the real estate equivalent of those 555 telephone numbers used in movies.' Cohen settled on 922 West 35th Street — the address printed on Archie's business card in The Silent Speaker — as Nero Wolfe's address. On the 'Literary Map of Manhattan', the brownstone is numbered 58 and is placed in the middle of the Hudson River. It is described in the opening chapter of as being on West Thirty-Fifth Street 'nearly to 11th Avenue,' which would put it in the 500 block. Writing as Archie Goodwin, suggests that 'the actual location was on East 22nd Street in the District. Wolfe merely moved us, fictionally, from one place to the other in order to preserve his particular brand of privacy.

As far as I can discover, there never were brownstone houses on West 35th Street.' : 8 The absence of brownstones in Wolfe's neighborhood sent television producers to the Upper West Side of Manhattan for an appropriate home and setting for select exterior shots, used in the TV series. This Manhattan brownstone lacked some peculiarities of Wolfe's home, unlike the model specially constructed on the Toronto set where most of the series was filmed — for example, the correct number of steps leading up to the stoop. It was, therefore, shown from angles that would camouflage any slight discrepancies.

The series settled on '914' for the brownstone's address. This number can be seen on the studio set representing the front door exterior in several episodes and on a closeup of Archie's paycheck in '. — Archie Goodwin in (1968), chapter 5 Nero Wolfe's first recorded words are, 'Where's the beer?' The first novel,, introduces Wolfe as he prepares to change his habits. With at an end, he can stop buying kegs of beer and purchase it legally in bottles. Fritz brings in samples of 49 different brands for him to evaluate, from which he ultimately selects Remmers as his favorite.

Several times during the story, Wolfe announces his intention to reduce his beer intake from six quarts a day to five. 'I grinned at that, for I didn't believe it,' Archie Goodwin writes.

Like most other things in Wolfe's life, his beer drinking is bound by ritual. Seated at his desk, Wolfe presses the button twice to ring for beer, and Fritz delivers the bottles unopened; Wolfe uncaps the bottles himself, using an 18-carat gold bottle opener given to him by a satisfied client. He never drinks directly from the bottle, but instead pours the beer into a glass and lets the foam settle to an appropriate level before drinking. He keeps the gold opener in the center drawer of his desk, where he also keeps the bottlecaps as a means of tracking his daily/weekly consumption. In (chapter 13), Wolfe makes an unprecedented vow after Archie tells him the killer they seek has killed again.

Wolfe hits the desk with his fist, bellows in a language Archie does not understand, then coldly orders Fritz away when he enters with the beer: 'Take it back. I shall drink no beer until I get my fingers around that creature's throat. And I shall eat no meat.' Reading [ ] Wolfe was drinking beer and looking at pictures of snowflakes in a book someone had sent him from Czechoslovakia. Looking at him, I said to myself, 'He's in a battle with the elements. He's fighting his way through a raging blizzard, just sitting there comfortably looking at pictures of snowflakes. That's the advantage of being an artist, of having imagination.'

I said aloud, 'You mustn't go to sleep, sir, it's fatal. You freeze to death.' — Archie Goodwin in (1935), chapter 1 Reading is central to Nero Wolfe's life, and books are central to the plots of many of the stories. The floor-to-ceiling bookshelves lining Wolfe's office contain some 1,200 books (, chapter 6) — the size of Stout's own library.: 252 In the first paragraph of, Archie relates his own method of grading what Wolfe is reading, on a scale from A to D.

If Wolfe picks up a book before he rings for beer, and if he has marked his place with a thin strip of gold given to him by a grateful client, the book is an A. 'I haven't kept score, but I would say that of the two hundred or so books he reads in a year not more than five or six get an A,' Archie writes. In (chapter 12), Wolfe uses a thin strip of ebony to mark his place as he re-reads. Archie indicates in various stories that Wolfe prefers to finish a paragraph before acknowledging an interruption in his reading.

He often dog-ears a page to mark his place. Select reading list [ ] 's summary of Wolfe's library was incorporated with contributions from others into an annotated reading list created by Winnifred Louis. — Archie Goodwin in (1935), chapter 2 Known for rigidly maintaining his personal schedule, Nero Wolfe is most inflexible when it comes to his routine in the rooftop plant rooms. 'Wolfe spends four hours a day with his orchids.

Clients must accommodate themselves to this schedule,' wrote Rex Stout's biographer John J. 'Rex does not use the orchid schedule to gloss over gummy plotting. Like the disciplines the sonneteer is bound by, the schedule is part of the framework he is committed to work within.

The orchids and the orchid rooms sometimes are focal points in the stories. They are never irrelevant. In forty years Wolfe has scarcely ever shortened an orchid schedule.' : 445 'A dilly it was, this greenhouse,' wrote Dr. Vandermeulen in the Bulletin.

Entering from the stairs via a vestibule, there were three main rooms — one for,, and hybrids; one for,,, and their hybrids; and a tropical room (according to ). It must have been quite a sight with the angle-iron staging gleaming in its silver paint and on the concrete benches and shelves 10,000 pots of orchids in glorious, exultant bloom. 'If Wolfe had a favorite orchid, it would be the,' Robert M. Hamilton wrote in his article, 'The Orchidology of Nero Wolfe', first printed in (Volume 1, Spring 1979).

Phalaenopsis is mentioned in 11 Wolfe stories, and is named in seven — more than any other species. Wolfe personally cuts his most treasured Phalaenopsis Aphrodite for the centerpiece at the dinner for the Ten for in '. In, after Dorothy Sebor provides the information that solves the case, Wolfe tells Archie, 'We'll send her some sprays of Phalaenopsis Aphrodite. They have never been finer.'

Wolfe rarely sells his orchids — but he does give them away. Four or five dozen are used to advance the investigation in, and Wolfe refuses to let Archie bill the client for them. In, and are sent to Dr. Vollmer and his assistant, who shelter Wolfe and Archie when they have to flee the brownstone to avoid the police.

In, the orchid rooms are torn apart by gunfire from across the street. The shooters are in the employ of crime boss, who wants Wolfe to drop a case that could lead back to him. Wolfe and Archie call men to take care of the plants and repair the windows before notifying the police. Eccentricities [ ]. — Nero Wolfe in (1934), chapter 5 Wolfe has pronounced eccentricities, as well as strict rules concerning his way of life, and their occasional violation adds spice to many of the stories: • Despite Wolfe's rule never to leave the brownstone on business, the stories find him leaving his home on several occasions.

At times, Wolfe and Archie are on a personal errand when a murder occurs, and legal authorities require that they remain in the vicinity (,, ' and ', for example). In other instances, the requirements of the case force Wolfe from his house (,,,,, ). Although he occasionally ventures by car into the suburbs of New York City, he is loath to travel, and clutches the safety strap continually on the occasions that Archie drives him somewhere.

He does not trust trains to start or to stop. As Archie says of Wolfe in, 'he distrusted all machines more complicated than a wheelbarrow.' • Wolfe maintains a rigid schedule in the brownstone. He has breakfast in his bedroom while wearing yellow silk pajamas; he hates to discuss work during breakfast, and if forced to do so insists upon not uttering a word until he has finished his glass of orange juice ( ). Afterwards, he is with Horstmann in the plant rooms from 9 a.m.

Lunch is usually at 1:15 p.m. He returns to the plant rooms from 4 p.m. Dinner is generally at 7:15 or 7:30 p.m. (although in one book, Wolfe tells a guest that lunch is served at 1 o'clock and dinner at 8). The remaining hours, 11 a.m. To 1 p.m., 2 p.m.

To 4 p.m., and after dinner, are available for business, or for reading if there is no pressing business (even if, by Archie's lights, there is). Sunday's schedule is more relaxed; Theodore, the orchid-keeper, usually goes out.

Main article: is the narrator of all the Nero Wolfe stories and a central character in them. And Wendell Hertig Taylor, critics and scholars of detective fiction, summarized the unique relationship between Wolfe and Archie: First, Archie is not a friend but a paid employee, who acts as secretary, chauffeur, and legman to the mountainous and sedentary Wolfe. Then they differ in all important respects—age, background, physique, and education.

Finally, it is impossible to say which is the more interesting and admirable of the two. They are complementary in the unheard-of ratio of 50-50. Archie has talents without which Wolfe would be lost: his remarkable memory, trained physical power, brash American humor, attractiveness to women, and ability to execute the most difficult errand virtually without instructions. Minus Archie, Wolfe would be a feckless recluse puttering in an old house on West 35th Street, New York. Like Wolfe, Archie is a licensed private detective and handles all investigation that takes place outside the brownstone.

He also takes care of routine tasks such as sorting the mail, taking dictation and answering the phone. At the time of the first novel,, Archie had been working for Wolfe for seven years and had by then been trained by Wolfe in his preferred methods of investigation. Like Wolfe, he has developed an extraordinary memory and can recite verbatim conversations that go on for hours.

But perhaps his most useful attribute is his ability to bring reluctant people to Wolfe for interrogation. Archie's bedroom is one floor above Wolfe's, and his room and board at the brownstone are part of his compensation. On several occasions, he makes it a point to note that he owns his bedroom furniture. Except for breakfast (which chef Fritz Brenner generally serves him in the kitchen), Archie takes his meals at Wolfe's table, and has learned much about by listening to Wolfe and Fritz discuss food. While Archie has a cocktail on occasion, his beverage of choice is milk.

Archie has frequent reason to note that he needs at least eight hours' sleep each night, and prefers more. He reacts bitterly when his sleep is interrupted or otherwise shortened by events, such as late-night interrogations at Homicide headquarters or a precinct, or a 1:45 a.m. Phone call from a client who has lost her keys, or driving a suspect to her home in Carmel and returning to Manhattan at 2:30 a.m.

Archie's initial rough edges become smoother across the decades, much as American norms evolved over the years. Noting Archie's colloquialisms in the first two Nero Wolfe novels, Rev. Gotwald wrote, 'The crudeness of these references makes me suspect that Stout uses them in Archie to show their ugliness because he uses them unapologetically.' : 12 In the first Wolfe novel, Archie uses a racially offensive term, for which Wolfe chides him, but by the time that was published in 1964, racial epithets were used only by Stout's criminals, or as evidence of mental defect. Many reviewers and critics regard Archie Goodwin as the true protagonist of the Nero Wolfe corpus. Compared to Wolfe, Archie is the man of action, tough and street smart.

His narrative style is breezy and vivid. Some commentators see this as a conscious device by Stout to fuse the hard school of 's with the urbanity of or 's. But there is no doubt that Archie was an important addition to the genre of detective fiction.

Previously, foils such as or were employed as confidants and narrators, but none had such a fully developed personality or was such an integral part of the plot as Archie. Supporting characters [ ]. Main article: Rex Stout's Nero Wolfe books (novels and novella/short story collections) are listed below in order of publication. For specific publication history, including original magazine appearances, see entries for individual titles.

Years link to year-in-literature articles. Nero Wolfe depicted in a set of 12 postage stamps issued in November 1972 to commemorate the 50th anniversary of. • Nero Wolfe is one of 12 famous fictional detectives depicted in a set of postage stamps issued in November 1972 to commemorate the 50th anniversary of. • 'A number of the paintings of (1898–1967), the internationally famous Belgian painter, are named after titles of books by Rex Stout,' wrote the artist's attorney and friend Harry Torczyner.: 578 'He read Hegel, Heidegger and Sartre, as well as, Rex Stout and,' the Supplement wrote of Magritte. 'Some of his best titles were 'found' in this way.'

Magritte's 1942 painting, Les compagnons de la peur ('The Companions of Fear'), bears the title given to (1935) when it was published in France by (1939). It is one of Magritte's series of 'leaf-bird' paintings. Created during the Nazi occupation of Brussels, it depicts a stormy, mountainous landscape in which a cluster of plants has metamorphosed into a group of vigilant owls. • The newspaper comic strip Nero Wolfe appeared from 1956 to 1958, drawn. • Nero Wolfe is referred to in 's book, by the character while in conversation with who acknowledges that he is a fan. Wolfe, as he appeared in volume 17 of • Nero Wolfe is highlighted in volume 17 of the manga edition of 's Mystery Library, a section of the graphic novels in which the author introduces a different detective (or occasionally, a villain) from mystery literature, television or other media.

[ ] Adaptations [ ] Film [ ] After the publication of Fer-de-Lance in 1934, several Hollywood studios were interested in the movie rights.: 254 In one of many conversations with his authorized biographer, Rex Stout told John McAleer that he himself had wanted to play Nero Wolfe: I met Laughton only once, at a party. Of all the actors I have seen, I think he would have come closest to doing Nero Wolfe perfectly. A motion picture producer (I forget who) asked him to do a series of Nero Wolfe movies, and he had said he would agree to do one but would not commit himself to a series.: 48 In 1974 McAleer interviewed Laughton's widow,.

'I seem to remember Charles being very interested in the character of Nero Wolfe,' she told him. 'I always regretted I did not get to play Dora Chapin.' : 554 'When Columbia pictures bought the screen rights to Fer-de-Lance for $7,500 and secured the option to buy further stories in the series, it was thought the role would go to Walter Connolly. Instead Edward Arnold got it,' McAleer reported in Rex Stout: A Biography. 'Columbia's idea was to keep Arnold busy with low-cost Wolfe films between features. Two films presently were made by Columbia, Meet Nero Wolfe (Fer-de-Lance) and The League of Frightened Men. Connolly did portray Wolfe in the latter film, after Arnold decided he did not want to become identified in the public mind with one part.

Lionel Stander portrayed Archie Goodwin. Stander was a capable actor but, as Archie, Rex thought he had been miscast.' : 254–255 Meet Nero Wolfe [ ].

Main article: Columbia Pictures adapted the first Nero Wolfe novel, Fer-de-Lance, for the screen in 1936. Was directed by, and featured a cast led by as Nero Wolfe, and as Archie Goodwin.

A young (then Rita Cansino) portrays Maria Maringola, who sets the story in motion when she asks for Wolfe's help in finding her missing brother, Carlo. ' Meet Nero Wolfe is an above average minor A picture, a solid mystery, and unfailingly entertaining,' reported magazine in 2002 when it revisited the film.

'No, at bottom, it's not Rex Stout's Nero and Archie, but it's a well-developed mystery (thanks to Stout's plot) with compensations all its own — and an interesting piece of Wolfeana.' The League of Frightened Men [ ].

Main article: In 1937, Columbia Pictures released, its adaptation of the second Nero Wolfe novel. Reprised his role as Archie Goodwin, and took over the role of Nero Wolfe. 'He drinks beer in the novel but hot chocolate in the picture. That's the best explanation of what's wrong with the film,' wrote Variety (June 16, 1937). After The League of Frightened Men, Rex Stout declined to authorize any more Hollywood adaptations. 'Do you think there's any chance of Hollywood ever making a good Nero Wolfe movie?'

Biographer John McAleer asked the author. Stout replied, 'I don't know. I suppose so.' : 48 Radio [ ]. Main article: Three actors portrayed Nero Wolfe over the course of the 1943–44 radio series,.

Williams starred in its first incarnation (April 10–June 26, 1943) on the regional New England Network. Assumed the role when the suspense drama moved to ABC (July 5–September 27, 1943; January 21–July 14, 1944). Succeeded Ortega sometime in 1944. Louis Vittes wrote most of the scripts for the 30-minute episodes, basing none of them on Stout's original stories.

Only one episode of the series is in circulation. 'The Last Laugh Murder Case' (July 14, 1944) was chosen for rebroadcast by the 's series. The Amazing Nero Wolfe (MBS) [ ]. Main article: starred in, a 1945 radio drama series on the. Broadcast July 17–November 30, 1945, the series was a product of the, a California affiliate, and may have been broadcast only in that region. Louis Vittes wrote the scripts for the 30-minute program, based on Stout's principal characters but not his stories.: 324 Although 21 episodes were produced, the series finale, 'The Case of the Shakespeare Folio', is the only episode that has survived in radio collections. The New Adventures of Nero Wolfe (NBC) [ ].

Main article: starred in, a 1950–51 series that aired on October 20, 1950 – April 27, 1951. Produced by Edwin Fadiman and directed by J. Donald Wilson, the show was written by.: 325 Biographer John McAleer reported that Stout enjoyed Greenstreet's portrayal. The New Adventures of Nero Wolfe was the first radio series that, like the Stout stories themselves, stressed characterization over plot.: 325 With all but one episode in circulation, it is regarded as the series that is most responsible for popularizing Nero Wolfe on radio. Nero Wolfe (CBC) [ ]. Main article: starred in the 1982 series, broadcast January 16–April 10, 1982. Portrayed Archie Goodwin, and played Inspector Cramer.

The series was produced and directed by actor Ron Hartmann, who spent two years writing the hour-long radio adaptations of Stout's original stories. The 13-episode series was praised for its high production values and faithful presentation.

Television [ ] Omnibus, 'The Fine Art of Murder' (ABC) [ ] Rex Stout appeared in the December 9, 1956, episode of, a cultural anthology series that epitomized the golden age of television. Hosted by and directed by, 'The Fine Art of Murder' was a 40-minute segment described by Time magazine as 'a homicide as Sir, [and] Rex Stout would variously present it.'

The author is credited as appearing along with (Archie Goodwin), Robert Eckles (Nero Wolfe), James Daly (narrator), (Arthur Conan Doyle), Felix Munro (Edgar Allan Poe), Herbert Voland () and Jack Sydow. Writer received the 1957 for Best Episode in a TV Series. 'The Fine Art of Murder' is in the collection of the Library of Congress (VBE 2397-2398) and screened in its February 15, 2000. Nero Wolfe (CBS) [ ]. As and as Nero Wolfe in the aborted 1959 CBS-TV series On September 15, 1949, Rex Stout wrote a confidential memo to Edwin Fadiman, who represented his radio, film and television interests. The memo provided detailed character descriptions of Nero Wolfe and Archie Goodwin, and a physical description and diagram of Wolfe's office.

Stout's biographer John McAleer inferred the memo was guidance for the that began in October 1950, but in summarizing the memo's unique revelations he remarked, 'A TV producer could not have hoped for more specifics.' : 383–384 On October 22, 1949, reported that Fadiman Associates was packaging a television series featuring Rex Stout's Nero Wolfe characters. When CBS-TV's went into production, Stout received some 50 offers from film and TV producers hoping to follow up on its success with a Nero Wolfe series.: 488 By April 1957 had purchased the rights and was pitching a Nero Wolfe TV series to advertisers. The series had Stout's enthusiastic cooperation. In March 1959, The New York Times reported that and would portray Nero Wolfe and Archie Goodwin in the CBS-TV series. Both actors were then starring on Broadway — the Vienna-born Kasznar in Noel Coward's and Shatner in. Nero Wolfe was co-produced by Gordon Duff and, with Edwin Fadiman as executive producer.

Written by and directed by, the pilot was filmed in Manhattan in March 1959. The half-hour pilot concerned the mysterious death of a scientist during a guided missile launch. Three or four episodes were filmed. The jazz score was composed. The series was to air Mondays at 10 p.m. ET beginning in September 1959.

But in April, CBS announced that the new comedy series would occupy the time slot. In June 1959, critic Donald Kirkley reported that the Nero Wolfe pilot had been, 'in a way, too successful Everything seemed to point to a sale of the series.

A facsimile of the brownstone house in which Wolfe lives in the novels was found in [ ] Square. But when the film was made and shown around, it was considered too good to be confined to half an hour. There was a new shuffle and deal, and in consequence, an hour-long, new pilot is now being photographed in Hollywood. In October 1960, William Shatner was reportedly still working to sell the first television adaptation of Nero Wolfe to the networks. Nero Wolfe (Paramount Television) [ ] In an interview May 27, 1967,: 479–480 Rex Stout told author Dick Lochte that had once wanted to make a series of Nero Wolfe movies, and Stout had turned him down. Disappointed with the Nero Wolfe movies of the 1930s, Stout was leery of Nero Wolfe film and TV projects in America during his lifetime: 'That's something my heirs can fool around with, if they've a mind to,' he said.: 487–488 In 1976, a year after Stout's death, purchased the rights for the entire set of Nero Wolfe stories for Orson Welles. Paramount paid $200,000 for the TV rights to eight hours of Nero Wolfe.

The producers planned to begin with an and hoped to persuade Welles to continue the role in a mini-series. Was signed to write the television script ('The Doorbell Rang') and direct the TV movie on the assurance that Welles would star, but by April 1977 Welles had bowed out. Was cast as Wolfe in the. Easy Fit 5 5 Keygen Idm.

In March 1980, Paramount was planning a weekly as a starring vehicle for Welles; Leon Tokatyan ( ) was to write the pilot. Welles again declined because he wanted to do a series of 90-minute specials, perhaps two or three a year, instead of a weekly series. Was cast as Wolfe in the. Nero Wolfe (1977) [ ]. • Rex Stout prepared a confidential memo dated September 14, 1949 to assist the producers of the Sydney Greenstreet radio series. Under the heading 'Description of Nero Wolfe', Stout begins: 'Height 5 ft. Weight 272 lbs.

: 383 • In (1947, chapter 5), Archie estimates Wolfe's weight at close to 340. In (1953), Wolfe temporarily sheds 117 pounds. • In most of the corpus, it is seven steps from the sidewalk to the stoop (for example, ';, chapter 5;, chapter 2;, chapter 3), but it is eight steps in ', chapter 5.

• Wolfe has another chair in the bedroom that is nearly as good as the one in the office. In ' (chapter 5) it is called his 'number two chair'. • identifies the ten brownstone addresses and additional stories in which they appear. The most frequently used address for Nero Wolfe's residence is 918 West 35th Street — the address that Darby found in,, ' and '.: 9 • Stout was playfully erratic about details in the stories.

Besides the varying street addresses, he retained minor inconsistencies, and catching them is one of the pleasures of readers of the Nero Wolfe stories. Inspector Cramer's first name, rarely invoked, was originally Fergus, and later modified to L.T. Wolfe's attorney Nathaniel Parker was also known as Henry Parker and Henry Barber. An assistant district attorney was either Mandel or Mandelbaum. The same surnames are assigned to supporting characters in different stories: Jarrett, Jaret, Jarrell, Dykes, Annis, Avery, Bowen, Yerkes, Whipple and others. • 'And Hutton, bless him, took pains to make sure that the stoop, meticulously recreated in a freezing Ontario warehouse soundstage really did have seven steps,' reported Martin Sieff of.

• WireImage (image numbers 253302 – 253308) and (image number 1302172) document the location photography directed by Timothy Hutton on October 15, 2000, also seen in the A&E documentary The Making of Nero Wolfe. Hamilton lists all of the orchids mentioned in Archie's accounts in alphabetical order. He records Phalaenopsis Aphrodite appearing in ',,, ',, and.

• 'I do not sell orchids,' Wolfe tells Archie in chapter 7 of (1951). Six years later, in (chapter 11), Archie describes Wolfe as 'a practicing private detective with no other source of income except selling a few orchid plants now and then.' • 'He was one of the only two men whom Wolfe called by their first names, apart from employees,' Archie writes of Marko in, chapter 1. Sixteen years later, in (chapter 1), Archie puts the number at ten.

• In ' Archie states that the gong was installed '. Some years previously when Wolfe had got a knife stuck in him. The thing had never gone off except when we tested it ' • Archie most frequently mentions Wolfe working on the crossword puzzle in (, chapter 10) and (, chapter 1).

• Archie's room is on the second floor in the first three novels: (chapter 3), (chapter 5) and (chapter 8). In chapter 6 of (1940), Archie's room is on the third floor, where it is in subsequent accounts. These include 'Black Orchids' (chapter 6), 'Cordially Invited to Meet Death' (chapter 3), 'Not Quite Dead Enough' (chapter 3), 'Booby Trap' (chapter 1), 'Help Wanted, Male' (chapter 3), The Silent Speaker (chapter 19), 'Before I Die' (chapters 10 and 11), Too Many Women (chapter 14) and 'Omit Flowers' (chapter 8). In The Brownstone House of Nero Wolfe, Ken Darby attests that Archie stays put as 'guardian of the third floor' from 1950 on (p. • 'I believe Stout uses such crude statements to have us feel how objectionable they are,' Gotwald wrote, adding that Archie's ethnic slur in chapter 2 of Fer-de-Lance was sanitized in paperback editions.: 43 • But the admonition apparently did not take hold. In, Wolfe questions a group of black men.

Archie’s opinion, voiced using racial epithets, is that interviewing them will be a waste of time, but Wolfe's candor and respect gains him the men's trust. The session ends at 4:30 a.m. And Wolfe instructs Archie to telephone the (white) district attorney. Again Archie objects, suggesting that Wolfe should wait until later that day. Wolfe calmly says: 'Archie, please. You tried to instruct me how to handle colored men.

Will you try it with white men too?' • Another fictional creation by Stout, the solo operative, who is perhaps a fusion of the best qualities of Wolfe and Goodwin into a single person without Wolfe's collection of idiosyncrasies, is arguably a better and more effective fictional character, as in the novel The Broken Vase. That book, however, was not a commercial success, and only three books featuring Fox were written, one of which was later used as the basis for a Wolfe story at the urging of Stout's publisher. • In (1936) Wolfe displays great respect (if not always cooperation) towards Cramer, but thinks Hombert 'should go back to diapers' — an opinion indirectly shared by Cramer himself who points out that Hombert is a politician and not a policeman.

In, Wolfe gets a chance to humiliate Hombert and help Cramer in the process. • Wolfe receives news of her death in the latter. 'Lovchen' is not a family name; rather, it is the name of the from which Montenegro gets its name. • Wolfe and Archie first meet Sally Colt, later Corbett, in ' (1956), chapter 1, when they are summoned to Albany for questioning about wiretapping activities.

Archie starts his report by stating, 'I am against female detectives on principle.' Still Sally Colt, she is again called on to help out in (1957), chapter 17. In (1959), chapter 19, it is a Sally Corbett, not Colt, who helps out on Wolfe's case.

'Sally Corbett was one of the two women who, a couple of years back, had made me feel that there might be some flaw in my attitude toward female dicks.' Sally Colt/Corbett makes a final appearance in (1963), chapter 12. Archie remarks again that Sally and Dol had made him change his attitude about female detectives. • Agatha Christie's Hercule Poirot was named Best Mystery Series of the Century. Agatha Christie was voted Best Mystery Writer of the Century; the other nominees were Raymond Chandler, Dashiell Hammett, Dorothy Sayers, and Rex Stout.

The 31st World Mystery Convention was presented in Denver September 7–10, 2000. • 'We know the importance granted to the words by Magritte in his paintings and we know the impact that literary works such as 's, Rex Stout's or 's had on him,' wrote the. • Dora Chapin is the wife of the man feared by the members of; much of the novel's plot hinges on her activities. • Rex Stout's confidential memo of September 15, 1949, describing Nero Wolfe, Archie Goodwin and Wolfe's office, is reprinted in the back matter of the 1992 Bantam Crimeline edition of Fer-de-Lance ( ). • Dated December 31, 1958, the first draft script for Nero Wolfe is in the Performing Arts Special Collections at UCLA, in Box 27, Folder 6 of the Sidney Carroll Papers 1957–1981. • Film score researcher Bill Wrobel located 's unheard score for Nero Wolfe and six recorded tracks on digital audio tape in the UCLA Music Library Special Collections. He identifies 30 CBS digital audio tapes (p.

168), with tracks 86–91 of DAT #11 being the Nero Wolfe music of Alex North (p. The score, CPN5912, is in Box #105 (p. • Dick Lochte discussed the Stout interview in an online post March 8, 2000. • Pre-production materials for Welles's unrealized Nero Wolfe (1976) are contained in the Orson Welles – Oja Kodar Papers 1910–1998 (Box 17) at the Special Collections Library. • Allen Sabinson became a programming consultant for A&E in 1999, and was named the network's senior vice president for programming in spring 2001.

• Jaffe/Braunstein Films, Ltd., secured the rights to the Nero Wolfe stories in 1998. Copyright Office Document Number V3412D882, recorded March 13, 1998.) • The exception is the second-season premiere directed by Timothy Hutton.

'For, Tim decided to play it in the early sixties,' producer said. 'If you look at that episode, it's really fun, because everything—the wardrobe, the art direction—is different, since it's a different generation. It breaks our mold.'

: 37 References [ ]. • ^ McAleer, John J. Rex Stout: A Biography.

• ^ McAleer, John J. Royal Decree: Conversations with Rex Stout. Ashton, Maryland: Pontes Press..

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In the Queens' Parlor. • Ruaud, A.-F.. Cool French Comics. Retrieved 2007-11-16. •, chapter 13. According to chapter 16 of, the picture measures 14 by 17 inches.

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The New York Times. Retrieved 2015-10-31. • Cohen, Randy; Holmes, Nigel (June 5, 2005)..

The New York Times. Retrieved 2015-10-31. • Sieff, Martin (December 25, 2001)... Retrieved 2015-10-31. •, chapter 8. •, chapter 1. •, chapter 2;, chapter 2.

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New York: Viking Press. Retrieved 2015-10-31. • Louis, Winnifred (February 3, 2001)..

Merely a Genius. Retrieved 2015-10-31. • Vandermeulen, Dr. (February 1985).

'Nero Wolfe — Orchidist Extraordinaire'. American Orchid Society Bulletin.. • Gotwald, Rev. (1992) [1983].

The Nero Wolfe Handbook. Salisbury, North Carolina: F. • ', chapter 2;, chapter 13. •, chapter 6. •, chapter 5. •, chapter 10.

•, chapter 8. However, in, Wolfe displays no noticeable reticence whatsoever concerning travel in an automobile. •, chapter 1. • ', chapter 2. • ', chapter 1.

• ', chapter 2 •, chapter 12. •, chapter 7. •, chapter 10 • (December 23, 2001). 'Beware a Brand-New Kind of Man'.. • ^, chapter 3.

•, chapter 1. •, chapter 6. • ', chapter 6.

• • Jacques Barzun, A Birthday Tribute to Rex Stout. New York: Viking Press, 1965; reprinted in The Rex Stout Journal, no. 2 (Spring 1985), pp.

• Stout, Rex (1976) [1938]. Too Many Cooks (reprint edition; preface by and Wendell Hertig Taylor). New York and London: Garland Publishing, Inc.. •, chapter 13. •, chapter 16. • ^ Gotwald, Rev.

The Nero Wolfe Companion, Number 1. Salisbury, North Carolina: F. •, chapter 15;, chapter 7 •, chapter 6. • Letter to John McAleer, quoted in the introduction to ( ) p.

The New York Times. October 17, 1984. Retrieved 2014-12-28. Retrieved 2012-01-04. • Liebenson, Donald (March 5, 2015)... Retrieved December 18, 2017. The Mysterious Press.

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Retrieved 2017-04-26. • Pierleoni, Allen, 'Serial Thriller: John Lescroart's passions range from family to fishing but he's hit the big time with his novels'; Sacramento Bee, February 13, 2006.

'Next came two books about the foreign adventures of crime-solving chef Auguste Lupa, reputedly the son of Sherlock Holmes — and who may have been the young Nero Wolfe.' • Burns, Charles E. First published in The Gazette: The Journal of the Wolfe Pack, Volume IX, Number 2 (Spring 1991), and available for download in. Retrieved 2013-05-30. The story can now also be read on a, as well as in. Retrieved 2013-07-01.

Subsequently collected in Gotwald, Rev. Frederick G., The Nero Wolfe Handbook (1992 edition), pp. Subsequently published in Nero Wolfe: The Archie Goodwin Files, edited by Marvin Kaye. Wildside Press, 2005, pp. • Available both as well as in. Retrieved 2013-07-01. • Mystery Scene Magazine, no.

109 (2009), p. 55; Kevin Buron Smith,, The Thrilling Detective. Retrieved July 6, 2012. •, The Alchemist's Apprentice (2007), The Alchemist's Code (2008), The Alchemist's Pursuit (2009) • Townsend, Guy M., Rex Stout: An Annotated Primary and Secondary Bibliography, p.

• Bourne, Michael, 'An Informal Interview with Rex Stout'; 1998, James A. Rock & Co., Publishers • at Classic Crime Fiction.com; retrieved December 1, 2011 • ^ Walker, Tom (September 10, 2000).

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Retrieved 2013-10-19. • • Hanke, Ken, 'Meet Nero Wolfe';, issue #45, 2002, p. The Digital Deli Too. Retrieved 2015-04-16.

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September 23, 1945. Retrieved 2015-04-18. On the Air: The Encyclopedia of Old-Time Radio. New York: Oxford University Press.

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Retrieved 2015-11-01. • Nielsen Business Media, Inc (April 27, 1957).. The Billboard. Retrieved 2015-11-01. The other mysteries being mulled by the advertiser have been 'Nero Wolfe,' a CBS-produced series based on the Rex Stout stories • ^ Kirkley, Donald (June 26, 1959).

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Retrieved 2016-10-05. External links [ ].

» » Nero Platinum 2018 Serial Key Crack Full Version Nero 2018 Crack + Serial Key Nero Platinum 2018 Serial Key is a program developed by Nero AG, which is used for authoring an optical device. The program is available as a part of a suite called Nero Multimedia Suite. Castells The Internet Galaxy Pdf Viewer. However, you can also buy it as a standalone program. The program is highly efficient in burning and copying data onto optical devices like DVDs, CDs, Blu-Rays. Additionally, it is used to print clear and attractive labels thanks to LabelFlash and LightScribe.

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