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Working two concurrent jobs plus helping friends with a wedding has slain my ninja-time like never before, friends. Apologies for the lack of updates. In times like these, I find it best to change clear the backlog folders of various images in one big unorganized ‘image dump’ and let you all scroll through until I have a spare minute to return to the ninja mines. So enjoy, and we’ll be back in the Fall with a look at Stephen Turnbull’s sure-to-be-controversial new book, and some great vintage Japanese merchandise we’ve scored.
Doesn’t Jubei’s victim look like he’s in love with his pending killer? Great color poster from one of my personal faves! I love these narrow one-sheets! Yeah, these are in no order whatsoever, just deal Yeah, I know Roaring Fire isn’t a ninja movie, but who doesn’t love Roaring Fire.
I’ll stab you in the head with a fork then open a rib joint I sure hope you folks are more relaxed than I am. Stay healthy and happy kids, back in September. Sho Kosugi returns to home video with a series of training DVDs via Masters Magazine! An expansion on his 1980’s VHS release, The Art of Hollywood Ninja Action Film Making is a five part ‘course’ on ninja-centric choreography and cinematography straight from Kosugi himself. Disc or download will cost you around $150 but promises priceless insight from a proven master of action from the movie screen to the gaming console. Whereas Master Class was in a grey area between self-defense instructional and screen fighting demo realms, this new set is targeted more at practical tutorials for those looking for careers on the screen (silver or green) or behind the camera. Meanwhile, Kosugi’s former director Sam Firstenberg shows up in two new interviews: and Firstenberg also has a for his career-centric autobiography, which promises to clock in at a whopping 600 pages!
Sam Firstenberg not only has amazing stories to tell from his Cannon Films days, he tells them in an extraordinarily engaging and charming manner. Can’t wait to get ahold of all this stuff. One of the great head-scratchers of the 80s American ninja boom was the NBC TV series The Master, created by Michael Sloan but driven by the one-man craze-catalyst that was Sho Kosugi. On one hand its very existence spoke to the magnitude of ninja’s popularity in 1984, but its utter failure coming at the same time as Kosugi’s departure from Cannon Films can be interpreted as the premature beginning of the end for the boom period. The Master failed to convert new audiences, and was, quite-honestly, often cringe-worthy to even the staunchest ninja geek. Much of the country never even saw the full run of 13 episodes. I was growing up in New England at the time, and with the Celtics on their way to a championship that year, Larry Bird was pre-empting Max Keller at every opportunity.
Two years later, Trans-World Entertainment would release the series as two-episode clam-shell and hard-shell VHS to the rental market, mildly disguised as “movies” under the title The Master Ninja. Within the next two years the rest of the globe was devouring dubbed or subtitled editions in German, Spanish and a host of other languages.
I’m the most intrigued by these kanji-subtitled Japanese versions: What must the audience raised on the likes of Shinobi-no-Mono and contemporarily enjoying Kage No Gundan have of thought of this strange American product, what with its traditionally-garbed ninja using archaic weaponry in modern America? Were the stock-in-trade TV villains like greedy land barons, suburban crime lords and small-town evil industrialists harping on the likes of farmers and single moms something that even resonated with the Japanese? Did the action scenes, tailored to American audiences fetishizing signature weapons straight out of mail order catalogs and expecting high-arcing spin-kicks instead of the low-crouched Bujinkan-inspired choreography of the home product impress the Japanese at all?
The home video versions of The Master hit the market at about the same time as the IFD/Filmark stuff from Hong Kong started flooding video stores with titles like Ninja Terminator and Full Metal Ninja. The craze was burning out prematurely, but for NBC and Trans-World they were finally making back their investment with international video sales. As for the North American market, the riffed-upon versions served up on Mystery Science Theater 3000 in the early 1990s were actually seen by more of an audience than any other iteration. The funky “Master Ninja Theme Song” bit sung by the robots remains one of the more beloved moments of that increasingly legendary show.
I wonder if the MST3K home video releases were imported into Japan. If you weren’t able to make the Revenge of the Ninja CD signing event in Januar,y the score and exclusive event print are now available via mail order, all signed by ROTN director Sam Firstenberg, stunt coordinator and silver-masked ninja double Steven Lambert, and composer Robert J. Construction Planning And Management By P S Gahlot Pdf To Excel. Walsh (CDs only). The newly remastered ROTN soundtrack is just great — the sound is noticeably improved from the vinyl, there are extensive liner notes and a photo-loaded insert, and newly added are 12 classic tracks re-instrumentalized and enhanced by Walsh himself. Highly recommended! The prints are 11×17″ on heavy stock, only 100 were printed and of those only a few were signed by Firstenberg and Lambert (in silver ink), so it’s first-come-first-served on those. As for the event itself, it was a day of amazing stories from two men who genuinely adore this film and love even more its enduring fan following.
The absolutely gushed eye-opening accounts of the production and working for Cannon Films back in the day. If you’ve heard their commentary on the ROTN or Ninja III: The Domination Blu-rays imagine the same sort of thing but in a live, intimate gallery setting. Some gems we heard from Firstenberg: — He largely fibbed his way into directing what would be his first action movie, and that inexperience led to the unique collaborative nature of the film. Sho Kosugi had huge sway, (Firstenberg called him “the leader” of the picture in a lot of ways) being close to producer-level and involved in more aspects of production than a first-time leading man would typically enjoy.
Lambert, also a first timer on ROTN, was afforded freedoms he’d never enjoy again in bigger studio efforts. This collaborative triumvirate captured lightning in a bottle. — Robert Walsh composed the entire iconic score in a mind-boggling FOUR DAYS. He put in marathon sessions with his own and borrowed equipment. Although most composers would start on the synth level in putting a score together hoping the studio would spring for proper orchestration later, on a Cannon budget Walsh knew from minute one a symphony was NOT going to happen, so ROTN was a synth score from concept to finish.
— It was often a tri-lingual set. Kosugi would talk Japanese with his inner circle of students and his family, Firstenberg and his team would often meet and converse in Israeli, with most everyone else stuck in between trying to decipher everything to English. — He’s getting more interest in his old ninja films now than he ever did before. The weekend of the event he had also done a phoner with media in Manitoba, Canada and has fielded invites from all over the globe in recent months. And even more gems from Lambert: — Even though studio armorers were credited, Sho Kosugi actually provided the entirety of the exotic ninja arsenal himself, and would continuously replenish items from the local martial arts training equipment manufacturers and suppliers he was already in business with creating his branded mail-order ninja gear.
Lambert in particular marveled at how industrious, aware and calculated Kosugi was with the opportunity that was in front of him. He knew it was the right time and right place and was user-ready to pounce on the craze once it congealed.
— Watch the end duel closely and you’ll see Kosugi disarm Lambert (doubling Braden) of this sheath. When he tossed that sheath during the arcing sword-parry, it flew far enough away to go off the side of the sky-scraper they were on and fell all the way down to earth, amazingly not hitting anyone below. — At some point in the late 1990s, thieves broke in to a storage unit rented by Lambert and cleaned it out. Amongst the treasures from his career lost were the ninja suits he wore in ROTN, Ninja III and American Ninja and two of the three silver Braden masks. — The house and gardens used for the Osaki family massacre at the film’s beginning was rented from get this SHIRLEY TEMPLE!
35 years ago, I watched my SLP-recorded VHS tape of HBO’s airing of Revenge of the Ninja (if memory serves that same tape had The Road Warrior and They Call Me Bruce on it) so much it wore thin and snapped. To say that movie stuck with me would be an understatement. Decades later, to have an art gallery borrow some of my collection for display and ask me to design a print for an event where I’d kibitz with the men who made that movie was well, the ultimate payoff to a life of fandom (never mind some serious validation of my pro-nerd status). Jump at any rare chance you get to experience these men in person, their generosity with the material we know and love so well will blow you away the same it did me.
We lost Japanese screen legend Hiroki Matsukata this week. The son of jidai-geki’s first Jubei Yagyu icon Jushiro Konoe, he was pretty much born to play a ninja on screen, with starring roles under the black hood in such classics as Mission Iron Castle, Seventeen Ninja 2: The Great Battle, Renegade Ninjas, Kagemaru of the Iga Clan, and the first ninja movie I ever saw, the kaiju-loaded Magic Serpent. I loved his sideways eye expressions and his ability to sell facial emotion when otherwise covered in a black head wrap. Matsukata may have been more prolific in yakuza cinema and more traditional chambara dramas, but he was a superb ninja actor as well.
Here’s a list of past features of his work from this site. Revisit these great old films and keep this legend immortal. And finally, we’re proud to debut this great portrait of Hiroki Matsukata by Asian-cinephile extraordinaire Amber Skowronski, whose work you can follow in and. Vintage Ninja still has an open call out for what we call “Kosugi Kicks” — images of ninja in movie posters, VHS sleeves, toy packaging, advertising, whatever, that are cribbed from the iconic two-sword jump kick publicity shot Sho Kosugi posed for back in the early 80s. This image has gone on to be the most iconic, and most ripped-off, image of a ninja from the Western world’s craze of the 80s. Just discovered this vintage gem from the derivative genre literary world: And here’s another from a proposed film that never happened, at least not in this form: A better look at the Kosugi-Kick-inspired packaging of the M.U.S.C.L.E-knock-off toy line N.I.N.J.A Mites: And outright piracy of the image on some old tabi packaging: See any we missed in these three articles? Send them our way!
Language Release / Movie Updated File Size Comment 2 years ago 1 21.2KB by dvdmaker2 2 years ago 1 23.1KB by merge the timing in en sub and words other arab sub 2 years ago 13 65KB حلقات كاملة 2 years ago 1 19.1KB ترجمه ممممممتازه 2 years ago 1 19.1KB 2 years ago 1 21.4KB retail, few spelling mistakes have been corrected 2 years ago 1 21.3KB Extracted from MKV 2 years ago 1 21.4KB Extracted from MKV, some OCR (I) corrections, merged short lines one year ago 1 22.5KB Thanks to Bludragon for the movie! 2 years ago 1 22. Telephone Confirmation Id Keygens here. 8KB somebody got this translated.